While making art predates civilization in Mesopotamia, the innovations there include creating art on a larger scale, often in the context of their grandiose and complex architecture, and frequently employing metalwork.
One of the earliest examples of metalwork in art comes from southern Mesopotamia, a silver statuette of a kneeling bull from 3000 B.C. Before this, painted ceramics and limestone were the most common art forms.
Another metal-based work, a goat standing on its hind legs and leaning on the branches of a tree, featuring gold and copper along with other materials, was found in the Great Death Pit at Ur and dates to 2500 B.C.
Mesopotamian art often depicted its rulers and the glories of their lives. Also created around 2500 B.C. in Ur is the intricate Standard of Ur, a shell and limestone structure that features an early example of complex pictorial narrative, depicting a history of war and peace.
In 2230 B.C., Akkadian King Naram-Sin was the subject of an elaborate work in limestone that depicts a military victory in the Zagros Mountains and presents Naram-Sin as divine.
Among the most dynamic forms of Mesopotamian art are the reliefs of the Assyrian kings in their palaces, notably from Ashurbanipal’s reign around 635 B.C. One famous relief in his palace in Nimrud shows him leading an army into battle, accompanied by the winged god Assur.
Ashurbanipal is also featured in multiple reliefs that portray his frequent lion-hunting activity. An impressive lion image also figures into the Ishtar Gate in 585 B.C., during the reign of Nebuchadnezzar II and fashioned from glazed bricks.
Mesopotamian art returned to the public eye in the 21st century when museums in Iraq were looted during conflicts there. Many pieces went missing, including a 4,300-year-old bronze mask of an Akkadian king, jewelry from Ur, a solid gold Sumerian harp, 80,000 cuneiform tablets and numerous other irreplaceable items.